Nadie sale vivo de aquí

Considered by many critics to be his best album of the eighties, this record is an eclectic work that navigates rock, funk, and even touches of folk music. The lyrics became sharper and more cynical, reflecting the climate of hyperinflation and unease that Argentine society was experiencing at that very particular and tumultuous historical moment for everyone.

The recording process was swift and charged with a creative urgency that is perceived in every track, with arrangements that prioritized rhythm and attitude over technical perfection. The collaboration with musicians such as Vicentico and Ariel Rot enriched the album's overall sound, creating an amalgam of styles that anticipated the versatility that Andrés would show years later in his international projects.

Despite the economic crisis that limited its initial distribution, the album contains classics like 'Señorita' and the title track that maintain an astonishing relevance. It was the perfect farewell to Buenos Aires, a closing of a cycle that left the door open to an artistic maturity that would flourish with unusual force on the European continent shortly thereafter.