Siempre es hoy

Siempre es hoy marks a radical turn in Gustavo Cerati's trajectory, plunging into trip-hop and drum and bass with a danceable and experimental energy that defies any label. Recorded in Buenos Aires, the album is a manifesto of club music, where electronic rhythms intertwine with distorted guitars and processed voices, creating an urban and nocturnal soundscape. The lyrics, full of fragmented images and references to time, speak of a perpetual present, of the urgency to live the moment. It is an album that beats with the pulse of the city, vibrant and provocative.

The production of Siempre es hoy is a laboratory of sounds, where Cerati plays with loops, samplers, and digital textures without losing human warmth. Tracks like «Cosas imposibles» and «Karaoke» are anthems to the dissolution of boundaries between pop and avant-garde, while collaborations with musicians like Tweety González bring an unstoppable rhythmic density. The album breathes the atmosphere of Buenos Aires clubs, with their strobe lights and overflowing energy, but also retains Cerati's characteristic melancholy. It is a work that invites movement, dance as a form of catharsis.

Siempre es hoy is, above all, a celebration of the present, a cry of creative freedom that breaks with traditional rock structures. Cerati sheds all prejudice and embraces the boldest electronics, without renouncing the poetry that defines him. The songs are fragments of an endless night, where love, desire, and loneliness merge into a hypnotic rhythm. It is an album that never looks back, that launches into the future with the certainty that it is always today, and that consolidates Cerati as a tireless explorer of new sonic territories.