Un baión para el ojo idiota

With this album, the band left behind part of the darkness of Oktubre to adopt a more classic rock sound, direct and with a strong presence of horns. Recorded at Panda, the album reflects a scathing critique of mass culture and the decay of Argentine society in the late eighties. The band sounds more confident than ever, with a powerful rhythm section and a brilliant Skay Beilinson on the six strings.

Standout tracks include 'Vamos las bandas', 'Masacre en el puticlub' and 'Ella debe estar tan linda', which became absolute favorites at concerts. The album's title is a mockery of media distraction during times of economic crisis and hyperinflation in Argentina. It is a work that masterfully combines acid humor with rock power, further expanding its fan base.

It represents the moment when Los Redondos became the most important band in the country outside the traditional commercial circuit. Independence remained their banner, something the public rewarded with a loyalty that began to frighten the media. Its importance lies in how they managed to portray the national idiosyncrasy with an unattainable rawness and elegance.