Released in 1998, 'Global Warming' is a conceptual album addressing environmental and social issues, reflecting Rollins' concern for the contemporary world. Recorded with a sextet including Stephen Scott (piano), Bob Cranshaw (bass), Al Foster (drums), plus percussionists Kimati Dinizulu and Victor See Yuen. Critics praised its thematic ambition and group cohesion, though some considered it less experimental than earlier works.
The album's sound blends jazz with Caribbean and African influences, creating a warm, rhythmic atmosphere. Standout tracks include the title track 'Global Warming', with a contagious groove and an energetic Rollins solo, and 'Mother Nature's Son', a Beatles cover that takes on a spiritual tone. 'The Moon of Alabama' and 'Change Partners' showcase his ability to reinvent standards with freshness.
Though not among his most celebrated albums, 'Global Warming' is valued for its message and accessible sound. Its legacy lies in being a testament to Rollins' social consciousness and his ability to fuse styles. The album remains relevant for its ecological theme, anticipating current debates on climate change.