Stan Getz recorded The Steamer in 1955 for Verve Records, produced by Norman Granz. The album captures Getz in a relaxed jazz setting, with a quartet including Lou Levy on piano, Leroy Vinnegar on bass, and Stan Levey on drums. The sessions took place in Los Angeles.
The album's title refers to Getz's fluid, steam-like sound. The recording showcases his lyrical style and improvisational skill on standards. It is considered an early example of his artistic maturity in cool jazz.
Although not a major commercial hit upon release, The Steamer has been reappraised by critics as a solid Getz work. Critics highlight the quartet's cohesion and clarity of interpretations, especially on tracks like 'Yesterdays' and 'It Don't Mean a Thing'.